Lynn Nottage is a two-time Pulitzer Prize winning playwright, producer and a screenwriter. Her plays have been produced widely in the United States and throughout the world. After a sold out run at The Public Theater her play Sweat (Premiered and commissioned, Oregon Shakespeare Festival American Revolutions Cycle/Arena Stage, winner of the Susan Smith Blackburn Prize) is moving to Broadway. By The Way, Meet Vera Stark (Lilly Award, Drama Desk Nomination), Ruined (Pulitzer Prize, OBIE, Lucille Lortel, New York Drama Critics’ Circle, Audelco, Drama Desk, and Outer Critics Circle Award), Intimate Apparel (American Theatre Critics and New York Drama Critics’ Circle Awards for Best Play), Fabulation, or The Re-Education of Undine (OBIE Award), Crumbs from the Table of Joy, Las Meninas, Mud, River, Stone, Por’knockers and POOF!. She is currently developing a new play and multimedia performance installation based on two years of research and interviews conducted in Reading, PA. (w/ Oregon Shakespeare, Arena Stage & Labyrinth Theatre Company). In addition, she is working with composer Ricky Ian Gordon on adapting her play Intimate Apparel into an opera (commissioned by The Met/LCT). Over the years, she has developed original projects for HBO, Sidney Kimmel Entertainment, Showtime, This is That and Harpo.

Nottage is the recipient of a PEN/Laura Pels Master Playwright Award, Literature Award from The Academy of Arts and Letters, Columbia University Provost Grant, Doris Duke Artist Award, The Joyce Foundation Commission Project & Grant, Madge Evans-Sidney Kingsley Award, MacArthur “Genius Grant” Fellowship, Steinberg “Mimi” Distinguished Playwright Award, the Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize, Helen Hayes Award, the Lee Reynolds Award, and the Jewish World Watch iWitness Award. Her other honors include the National Black Theatre Fest’s August Wilson Playwriting Award, a Guggenheim Grant, Lucille Lortel Fellowship and Visiting Research Fellowship at Princeton University. She is a graduate of Brown University and the Yale School of Drama, where she has been a faculty member since 2001. She is also an Associate Professor in the Theatre Department at Columbia School of the Arts.

Nottage is a board member for Theatre Communications Group, BRIC Arts Media Bklyn, Donor Direct Action, Second Stage, The New Black Fest, and the Dramatists Guild. She recently completed a three-year term as an Artist Trustee on the Board of the Sundance Institute.

Taylor’s work focuses on topics of social justice and women’s issues. She has filmed across the U.S., Middle East and Africa, covering stories such as the Kurdish fight against ISIS in Northern Iraq, the theft of African American land in the Jim Crow South, the work of dissident journalists in Angola, and the role of women in the Arab Spring.

She has written and produced documentaries and branded content for National Geographic, HBO, NYTimes, PBS, CNN, CBS, Google, and Rolex. She is a 2017 recipient of Impact Partner’s Producing Fellowship. A graduate of New York University’s honors program, she studied journalism, political economy, and Arabic.

Rohit Beheraj is a writer-director from Bangalore, India and Harrisonburg, Virginia. His study of colonialism in South Asia and the Asian immigrant experience in the U.S. informs his mindful yet unflinching approach to filmmaking. Rohit’s short film Sidelined was awarded a grant from the NYC Mayor’s Office of Media and Entertainment and his film Protégé is currently on the festival circuit. He has worked as a PA and Production Coordinator on television shows and commercials for TLC, Lifetime, A&E, and also has extensive experience with post-production workflows. Rohit is an Associate Producer at Market Road Films, and holds an MFA in Directing from the Feirstein Graduate School of Cinema.